This stunning, simple vase of shouldered form is painted
with stylised carnation flowers in a ruby, red lustre on a white ground with the
impressed Merton Abbey “Mason” mark to base. Only 12 cm high and with chips to
the rim and tiny, burst glaze bubbles to the body this vase has the presence
and stature of larger vases in far better condition.
The decoration is similar to the “Moffatt” pattern in tiles from
this period and, as noted by Jon Catleugh in his book on William De Morgan’s
tiles: “A great many of the flower patterns were also adapted for us on
three-dimensional surfaces, particularly those with a dominant central motif that
could be placed two, three or four times round the surface of the pot, with the
intervening spaces filled in with leaves and flowers, a useful economy of the
designer’s time.”
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